Interviews, Opinions, Collaborations & Updates
Archive for Category: Enlightenment
Angels, ravens and rabbits
Monday, January 26, 2015
Posted by : Steve
Posted by : Steve
We're doing something a bit different in 2015 to what we've done before and our 2 projects, Enlightenment and Curiouser, are collaborations with some people we've worked with before and some new faces. Good and evil, light and dark, eternal conflicts, righteous struggles, surprises, tangents and curious encounters…
Black Angels: Numbers, Names and Echoes Part 2
Tuesday, May 26, 2015
Posted by : Steve
Posted by : Steve
The Ligeti Quartet will be performing George Crumb's Black Angels this coming weekend. How can you explain or understand this fascinating piece? Jon Hargreaves gives his interpretation what's going on under the surface. Part 2
Black Angels: Numbers, Names and Echoes Part 1
Tuesday, May 26, 2015
Posted by : Steve
Posted by : Steve
The Ligeti Quartet will be performing George Crumb's Black Angels this coming weekend. How can you explain or understand this fascinating piece? Jon Hargreaves gives his interpretation of what's going on under the surface
Catching up with Ji Sun Yang
Tuesday, May 26, 2015
Posted by : Steve
Posted by : Steve
The Ligeti Quartet will be performing Les accordéons V by Ji Sun Yang this weekend. Meryl caught up with Ji Sun to find out more about the piece and what she’s been up to since her New Dots project last June
Black Angels: Numbers, Names and Echoes Part 3
Thursday, May 28, 2015
Posted by : Steve
Posted by : Steve
The Ligeti Quartet will be performing George Crumb's Black Angels this coming weekend. How can you explain or understand this fascinating piece? Jon Hargreaves gives his interpretation what's going on under the surface. Part 3
Tom Green on composers and words
Friday, May 29, 2015
Posted by : Steve
Posted by : Steve
Should composers be able to write about their own music? Is it a necessary skill, or a false expectation we have of people who make work with sound and not words? Composer Tom Green on how composers are expected to communicate